The Magic Wagon Page 2

  I believed that story the Indian had told Billy Bob about whose body that was, and about the curse that was on it. There was some that would argue Wild Bill Hickok was in the cemetery at Deadwood, but I wouldn't be one of them. They ever dig his grave up they're going to find there ain't nothing in there but worms and dirt. Wild Bill rides with us.

  I went out of there, staying as far to the other side of the door as I could, and stepped out into the morning light. When I was breathing better, I went around to the side of the wagon and peeled up the tarp and looked in on Rot Toe.

  The old ape looked at me and let out a hoot, but didn't move. Big as he was, he looked-tired and miserable. He'd been that way a lot lately. Albert says it's because he's getting old and Billy Bob don't treat him right, poking him with sticks and such like he does. He thinks Billy Bob ought to let Rot Toe cut the wrestling act, just start being there for folks to look at for a nickel a peek. Albert would like to keep him on a long chain when we were in a town, and the rest of the time let him run loose on the wagon, ride up front with us. Billy Bob don't see it that way, though. He's scared of Rot Toe. And good reason. He's picked at that ape enough, that he can't be alone with him. Rot Toe, given half the chance, would tear Billy Bob apart.

  Well, Albert's ideas seemed good to me, Rot Toe being old and all, though when he got that muzzle and them gloves put on him, and got out there to wrestle two-hundred-and-forty-pound men, he didn't look old then, gray hairs or not. He just looked big and strong and scary, and the way he slung them fellas around, it was hard to believe he didn't weigh but a little over a hundred pounds.

  "You okay, old man?" I said.

  Rot Toe let out that little hoot again, brought his hand up and touched his face. If he'd been willing to move and come across the cage, he'd probably have reached out and touched me. Touching himself or someone else, unless it was Billy Bob, always seemed to make him feel better. And reckon if he could touch Billy Bob in the way he wanted, he'd have felt mighty good then too.

  "Take it easy, old fella," I said, and I lowered the tarp.

  I looked off to the east, and now that I was out of the wagon, I could see the sky above the pines. l looked for lightning to be sewing through the sky like some kind of crazy seamstress, but there wasn't nothing there. Didn't hear no thunder neither, but I knew that storm hadn't given up on us yet. We'd see sign of it soon.

  I went around to the front of the wagon, up to the head mule, Ishmael. Albert was there, rubbing the old critter on the forehead and looking out at the silly-laid-out town.

  "Well, Little Buster," he said, "what'cha think?"

  "I don't like it none."

  "Me neither, but Mister Billy Bob is set."

  "To hell with Billy Bob," I said braver than I felt. "I got a feeling that whatever bad that's been waiting to happen in this town has been waiting on us."

  "That may be," Albert said with that accepting way of his, "but Mister Billy Bob's the one buys the bacon."

  I didn't say anything back. Albert went around and climbed on the wagon and picked up the lines. I got up on my side and Albert softly called to the mules and we started rolling into Mud Creek proper, and the closer we got the lighter it got, and the more it looked like any other little town, except for the way it was laid out, and I could see people moving around now, starting their day, and it looked just as normal as could be.

  But that didn't make me feel no better.

  CHAPTER 2

  It was a hot day already and I thought about that and wished I'd left Rot Toe's tarp up. Sweat was coming from beneath the brim of my cap and streaming down my face, running into the edge of my mouth. It tasted like salt, dirt, and sadness, mostly sadness, because sweat always reminds me of tears.

  There was the smell of animal lots on the warm wind, and it wasn't too bad. Not bad like some of the cow towns we'd been in. So bad in some that the stink made you have to lean over and throw up what you'd eaten. This was small-town animal stink, not the months old, ankle-deep mess of a Kansas cow lot. In fact, it was almost pleasant. Reminded me that I was once again in my old stomping grounds, East Texas, and that the place where I'd grown up wasn't all that far away.

  And though I didn't want to think on it, that barnyard smell took me back a few years, back to the baddest old winter we'd ever seen, the winter I came to believe in signs and omens. The winter I turned fifteen.

  It had come a rare snow that year, and even rarer for East Texas it had actually stuck to the ground and got thick. Along came the wind, colder than ever, and it turned the snow to ice. It was beautiful, like sugar-and-egg-white icing on a cake, but it wasn't nothing to enjoy after the excitement of first seeing it come down. I had to get out in it and do chores, and that made me wish for a lot of sunshine and a time to go fishing.

  Third day after it snowed and things had gotten real icy, I was out cutting firewood from the woodlot and I found a madman in a ditch.

  I'd already chopped down a tree and was trimming the limbs off of it, waiting for Papa, who was coming across the way with a crosscut so we could saw it up into firewood sizes. While I was trimming, I heard a voice.

  "Got a message. Get out of this ditch, I got a message."

  Clutching the axe tight, I went over and looked in the ditch, and there was a man lying there. His face was as blue as Mama's eyes, and Papa says they're so blue the sky looks white beside them, even on its best day. His long, oily hair had stuck to the ground and frozen there so that the clumped strands looked like snakes or fat worms trying to find holes to crawl into. There were icicles hanging off his eyelids and he was barefoot.

  I screamed for Papa. He tossed down the saw and came running fast as he could on that ice. We got down in the ditch, hauled the fella up, pulling out some of his frozen hair in the doing. He was wearing a baggy old pair of faded black suit pants with the rear busted out, and his butt was hanging free and drawerless. It was darker than his face, looked a bit like a split, overripe watermelon gone dark in the sun. His feet and hands were somewhere between the blue of his face and the blue-black of his butt. The shirt he had on was three sizes too big, and when Papa and I had him standing, the wind came a-whistling along and flapped the fella's shirt around him till he looked like a scarecrow we were trying to poke in the ground.

  We got him up to the house, and stretched him out on the kitchen table. He looked like he'd had it. He didn't move an inch. Just laid there, eyes closed, breathing slow.

  Then, all of a sudden, his eyes snapped open and he shot out a bony hand and grabbed Papa by the coat collar. He pulled himself to a sitting position until his face was even with Papa's and said, "I got a message from the Lord. You are doomed, brother, doomed to the wind, 'cause it's gonna blow you away." Then he closed his eyes, laid back down and let go of Papa's shirt.

  "Easy," Papa said. But about that time the fella gave a shake, like he was having a rigor, then he went still as a turnip. Papa felt for a pulse and put his ear to the scarecrows chest, looking for a heartbeat. From the expression on Papa's face, I could tell he hadn't found any.

  "He's dead, Papa?"

  "Couldn't get no deader, son," Papa said, lifting his head from the man's chest.

  Mama, who'd been standing off to the side watching, came over. "You know him, Harold?" she asked.

  "Think this is Hazel Onin's son," Papa said.

  "The crazy boy?" she said.

  "I just seen him once, but I think it's him. They had him on a leash out in the yard one summer, had this colored fella leading him around, and the boy was running on all fours, howling and trying to lift his leg to pee on things. His pants was all wet."

  "How pitiful," Mama said.

  I knew of Hazel Onin's boy, but if he had a name I'd never heard it. He'd always been crazy, but not so crazy at first they couldn't let him run free. He was just considered mighty peculiar. When he was eighteen he got religion worse than smallpox and took to preaching..

  Right after he turned twenty, he tried to rape a little high ye
ller gal he was teaching some Bible verses to, and that's when the Onins throwed him in that attic room, locked and barred the windows. If he'd been out of that room since that time, I'd never heard of it, other than what Papa had said about the leash and wetting himself and all.

  I'm ashamed of it now, but when I was twelve or thirteen, me and some other boys used to have to walk by there on our way to and from school, and the madman would holler out from his barred windows at us, "Repent, 'cause you all gonna have a bad fall," then he'd go to singing some old gospel songs and it gave me the jitters 'cause there was an echo up there in that attic, and it made it seem that there was someone else singing along with him. Someone with a voice as deep and trembly as Old Man Death might have.

  Freddy Clarence used to pull down his pants, bend over, and show his naked butt to the madman's window, and we'd follow his lead on account of not wanting to be called a chicken. Then we'd all take off out of there running, whooping and hollering, pulling our pants and suspenders up as we ran.

  But we'd quit going by there a long time back, as had almost everyone else in town. They moved Main Street when the railroad came through on the other side, and from then on the town built up over there. They even tore down and rebuilt the schoolhouse on that side, and there wasn't Tm need for us to come that way no more. We could cut shorter by going another way. And after that, I mostly forgot about the madman prophet.

  "It's such a shame," Mama said. "Poor boy."

  "It's a blessing, is what it is," Papa said. "He don't look like he's been eating so good to me, and I bet that's because the Onins ain't feeding him like they ought to. They figure him a shame and a curse from God, and they've treated him like it was his fault his head ain't no good ever since he was born. "

  "He was dangerous, Harold," Mama said. "Remember that little high yeller girl?"

  "Ain't saying he ought to have been invited to no church social. But they didn't have to treat him like an animal."

  "Guess it's not ours to judge," Mama said.

  "Damn sure don't matter now," Papa said.

  "What do you think he meant about that thing he said, Papa?" I asked. "About the wind and all?"

  "Didn't mean a thing, son. Boy didn't have a nut in his shell, is all. Crazy talk. Go on out and hitch up the wagon and I'll get him wound up in a sheet. We'll take him back to the Onins. Maybe they'll want to stuff him and put him in the attic window so folks can see him as they walk or ride by. Maybe they could charge two bits to come inside and gawk at him. Pull his arm with a string so it looks like he's waving at them. "

  "That's quite enough, Harold," Mama said. "Don't talk like that in front of the boy."

  Papa grumbled something, went out of the room for a sheet, and I went out to the barn and hitched the mules up.

  I drove the wagon up to the front door, went in to help Papa carry the body out. Not that it really took both of us. He was as light as a big, empty corn husk. But somehow, the two of us carrying him seemed a lot more respectable than just tossing him over a shoulder and slamming him down in the wagon bed.

  We took the body over to the Onins, and if they were broke up about it, I missed the signs. They looked like they'd just finally gotten some stomach tonic to work, and had made that long put off and much desired trip to the outhouse.

  Papa didn't say nothing stern to them, though I expected him to, since he wasn't short on honest words. But I figure he didn't see any need in it at that point. The fella was dead.

  Mrs. Onin stood in the doorway all this time, didn't come out to the wagon bed while the body was there. After Mr. Onin unwound the sheet and took a look at the madman's face, said what a sad day it was and all, he asked us if we'd mind putting the body in the toolshed.

  We did, and when we got back to the wagon, Mrs. Onin was waiting by it. Mr. Onin offered us a dollar for bringing the body home, but of course, Papa didn't take it.

  Before we climbed up on the wagon, Mrs. Onin said, "He'd been yelling from upstairs all morning, saying how an angel from God wearing a suit coat and a top hat had brought him a message he was supposed to pass on. Kept saying the angel was giving him a test to see if he deserved heaven after what he'd done to that little girl."

  Papa climbed on the wagon, took hold of the lines. With his head, he motioned me up.

  "Then we didn't hear nothing no more," Mr. Onin said. "I went up there to check on him and he'd pulled the bars out of one of the windows and got out. I don't reckon how he did that, as he'd never been able to do it before, and them bars was as sturdy as the day I put them in, no rotten wood around the sills or nothing. "

  Papa had taken out his pocket knife and tobacco bar, and he was cutting a chaw off of it. "Reckon you went right then to the sheriff to tell him your boy run off," Papa said, and there was an edge to his voice, like when he finds me peeing out back too close to the house.

  "Naw," Mr. Onin said, looking at the ground, "I didn't. Figured cold as it was, he'd come back."

  "Don't matter none now, does it?" Papa said.

  "No," Mr. Onin said. "He's out of his misery now"

  "Them's as true words as you've spoke," Papa said. "I'll be getting that sheet back to you," Mr. Onin said. "Don't want it," Papa said. He clucked up the mules and we started off.

  When we were out of earshot of the house, I said, "Papa, you reckon they thought that crazy fella would go back because he was cold?"

  "Why in hell would he want to go back to that attic? Even if it might have been warm."

  We didn't say anything else until we got home, then, wasn't none of the talking about the madman or the Onins. Mama didn't even mention it after she saw Papa's face.

  Just before supper, Papa went out on the porch to smoke his pipe, and I went out to the barn to toss some hay to the mules and the milk cow. I was tossing it, smelling that animal smell, thinking about how it reminded me of my whole life, that smell. Reminded me of Mama and Papa, warm nights with very little breeze, cold nights with the fire stoked up big and warm, late suppers, tall tales in front of the fireplace, standing on the porch or looking out of the windows at the morning, noon or night, spring, summer, fall, or winter. And that smell, always there, like a friend who had some peculiar, if not bad-smelling, toilet water. It was in the floorboards of the house, on the yard, thick in the barn. A smell that even now moves me backwards and forwards in time, confuses me on which are the truths and which are the lies of my memory.

  So there I was, throwing hay, thinking this fine life would go on forever, and all of a sudden, I felt it before it happened.

  I quit tossing hay, turned to look out the barn door. It was like I was looking at a painting, things had gone so still. The sky had turned yellow. The late birds quit singing and the mules and the milk cow turned their heads to look outdoors too.

  Way off I heard it, a sound like a locomotive making the grade, burning that timber. Only there wasn't a track within ten miles of us. Outside the sky went from yellow to black, from still too windy. Pine straw, dust and all manner of things began whipping by. I knew exactly what was happening.

  Twister.

  I dropped the pitchfork, dove for the inside of an old shovel-scoop mule sled, and no sooner had I hit face down and put my hands over my head, then it slammed into the barn.

  I caught a glimpse of a cow flying by, legs splayed like she thought she could stop the tug of the wind easy as she could stop the tug of a rope. Then the cow was gone and the sled started to move.

  After that, everything happened so quickly I'm not certain what I saw. Lots of things flying by, for sure, and I could hardly breathe. The sled might have gone as high as thirty feet, 'cause when I came down it was hard. Hadn't been for the ice, I'd probably have been driven into the ground like a cork in a bottle. But the sled hit the ice at an angle and started sliding, throwing up dirty, hard snow on either side of me. Pieces of ice hit me in the face and the sled fetched up against something solid, a stump probably, and I went flying out of it, hit the ice, whirled around like a fl
y in a greasy skillet, came to rest in the ditch where I'd found the madman.

  I passed out for a while, and I dreamed. Dreamed I was in the sled again, flying through the air, and there was our house, lifting up from the ground, floor and all. It flew right past me, rising fast. When it moved in front of me, I glimpsed Mama. She was standing at the window. All the glass was blown out, and she was clinging to the sill with both hands. Her eyes were as big and blue as her china saucers, and her red hair had come undone and was blowing and whipping around her head like a brush fire.

  The house shot on up, and when I looked up to see, there wasn't nothing but whirling blackness with little chunks of wood and junk disappearing into it.

  "Mama," I said, and I must have said it a lot of times, 'cause that's what brought me to. The sound of my own voice calling Mama.

  I tried to stand, but my ankle wasn't having it. It hurt like hell, and when I looked down, I saw my boot and sock had been ripped off by the blow, and the ankle was as big as a coiled cottonmouth snake.

  I put a hand on the edge of the ditch, dug my fingers through the ice, and pulled myself up, taking some of the skin off my naked foot as I did. It was so cold the flesh had frozen to the ground and it had peeled off like sweet-gum bark.

  Once I was out of the ditch, I started crawling across the ice, dragging my useless foot behind me. Little chunks of skin came off my palms, so I had to pull myself forward on my coat-sleeved forearms.

  I hadn't gone far before I found Papa. He was sitting in his rocking chair, and in one hand he held his pipe and it was still smoking. The porch the chair had been sitting on was gone, but Papa was rocking gently in what was left of the wind. And the pitchfork I'd tossed aside before diving into the sled was sticking out of his chest like it had growed there. I didn't see a drop of blood. His eyes were open and staring, and every time that chair rocked forward, he seemed to look and nod at me.